Tuesday, April 3, 2012

Blue Microphones Snowball Multi-Pattern USB Microphone (White) with Ringer Universal Shockmount

Blue Microphones Snowball Multi-Pattern USB Microphone (White) with Ringer Universal Shockmount





Brand : Blue Microphones
Post Date : Apr 03, 2012 11:57:05

  • Snowball is a uniquely designed plug-and-play USB mic connects to either a Mac or PC
  • Dual capsule design and unique three-pattern switch can handle everything from soft vocals to loud garage band
  • Switchable mic patterns for a variety of recording applications, including podcasts
  • The Ringer prevents low-frequency rumble and handling noise from ruining your recordings
  • The Ringer is a vintage-style suspension mount made of solid brass

Create studio-quality recordings with Blue Microphone's Snowball, a USB microphone with exceptional sound-capture capabilities. Using Blue Microphone's award-winning dual-capsule and circuit design, the Snowball produces crisp, clean recordings that are free of feedback and distortion. A unique pattern switch allows you to toggle between three different settings, giving you the flexibility to record vocals, instrumental music, podcasts, interviews, and more. With a plug-and-play design that is both Mac and PC compatible, the Snowball requires no additional drivers and is ready to record straight out of the box. Included in the pack is the Ringer Universal Shockmount designed for our complete line of spherical microphones. The Blue Ringer Universal Shock Mount is a vintage-style suspension mount designed to isolate the microphone body from low-frequency energy when mounted on a mic stand. The Blue Ringer Universal Shock Mount also accommodates virtually any microphone with a standard thread mount.

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Friday, March 23, 2012

Audio-Technica AT2020 USB Condenser USB Microphone

Audio-Technica AT2020 USB Condenser USB Microphone





Brand : Audio-Technica
Price : $100.96
Post Date : Mar 23, 2012 17:32:16

The Audio-Technica AT2020 USB Microphone offers studio-quality articulation and intelligibility. The AT2020 USB plugs right into your computer's USB port, and functions seamlessly with your favorite recording software. Equipped with a USB digital output, the AT2020 USB is perfect for home studio recording, field recording, podcasting, and voiceover use. Based on the renowned AT2020 The AT2020 USB is based on the design of Audio-Technica's critically acclaimed AT2020 cardioid condenser microphone. Like the AT2020, it features a low-mass diaphragm, custom-engineered for extended frequency response and superior transient response. With low self-noise, the AT2020 USB is perfectly suited for sophisticated digital recording equipment. Audio-Technica's state-of-the-art design and manufacturing techniques ensure that the microphone complies with the company's renowned consistency and reliability standards. Experience AT2020 USB. Plug it in and transform your sound. Audio-Technica AT2020 USB Features Side-address studio condenser with USB digital output (Windows and Mac compatible) Crystal-clear, natural sound for podcasting, home studio recording, field recording, and voiceover use Custom-engineered low-mass diaphragm provides extended frequency response and superior transient response Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source Low self-noise - perfectly suited for sophisticated digital recording equipment Includes tripod desk stand, pivoting stand mount, USB cable & storage pouch.

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Monday, March 19, 2012

Saturday, March 3, 2012

Zoom H2n Handy Recorder

!#8# Zoom H2n Handy Recorder


Rate : | Price : Too low to display | Post Date : Mar 03, 2012 12:51:17
Usually ships in 24 hours

The Zoom H2N Handy Recorder is Zooms most feature-rich, high-quality portable recording device to date. Its robust, rugged, records in 4 splendid modes and easily fits in your pocket.The new design of the remarkably easy to use Zoom H2N features the best onboard microphones (theres 5 of them) Zoom has ever put into a recording device and the results are astoundingly good. Youll be able to capture pristine, studio-quality audio anywhere life takes you from band rehearsals, songwriting scenarios, journalism, podcasting, business meetings and lecturesanywhere and everywhere!Some incredible, useful audio processing features are built right into the Zoom H2N Handy Recorder helping you to capture the very best recordings possible. Theres onboard audio processing including compression/limiting for achieving the best signal to noise ratio without any nasty overs that create otherwise nasty sounding distortion; a low-cut filter to reduce inherent rumble from the sound source; a normalize function, variable speed playback, A-B repeat mode, a tuner, metronome, file dividing and surround mixer. Theres even a built-in MP3 encoder transforms your original 24-bit/96kHz WAV file into an MP3 file small enough to easily share via email or for posting on the web. Offering incredible recording versatility, the Zoom H2N allows you to record in MS (mid-side) stereo, 90-degree X/Y stereo, 2-channel and 4-channel surround sound. Two AA batteries (included) are youll need for over 20 hours of continuous operation. Power can also be provided by an AC adaptor, included in the optional APH-2n Accessory Pack. In addition, you can power the unit via its USB port. The controls of the H2N are logically and ergonomically positioned on each side of the unit. Theyre within easy reach so making adjustments on the fly is a snap and a click! A bright, easy to read 1.8 LCD display provides a crystal-clear readout of recording levels and all the H2Ns functions.

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Tuesday, February 21, 2012

Fender Mustang I Electric Guitar Amplifier

!#8# Fender Mustang I Electric Guitar Amplifier

Brand : Fender | Rate : | Price : Too low to display
Post Date : Feb 21, 2012 13:21:04 | Usually ships in 24 hours


Mustang I is a 20-watt closed-back combo with an 8” Special Design speaker that sounds great and pumps serious volume. It contains 24 highly accurate on-board amp presets with tones from vintage Fender sparkle to outrageous modern metal distortion, and a bank of 24 built-in effects including chorus, flanging, phasing, tremolo, vibratone, step filter, reverb, echo, octaver and more — 12 modulation effects and 12 delay and reverb effects in all. It’s great for practice and jam sessions, and an 1/8” headphone jack lets you play loud, even if only for yourself. Further, connect Mustang I to your computer with free Fender FUSE software. Open up a world of possibilities, including on-screen parameter control, deep editing, additional effects, unlimited preset storage, online preset swapping with the Fender FUSE community, and free Fender artist presets. An optional single-button footswitch controls two quick-access presets.

HIGH-SPEED

Mustang™ I and II contain 24 highly accurate on-board amp presets with tones from vintage Fender® sparkle to outrageous modern metal distortion. Arranged in three banks of 8, all 24 amp presets are easily and instantly accessed right out of the box with only a twist of a single knob. Plug in and you’re up and running.

AMPED-UP

Shape your tone with a huge bank of 24 built-in effects including chorus, flanging, phasing, tremolo, vibratone, step filter, reverb, echo, octaver and more — 12 modulation effects and 12 delay and reverb effects in all. Mustang™ amps pack it all into a striking visual design. Sleek and modern Fender® styling provides a look that’s as desirable as the sound.

Fender Mustang I Amp
LOUD

Mustang I and II sound great at any volume, and although they’re the smallest members of the family, their closed-back cabinets and Fender Special Design speakers pump serious volume. The 20-watt Mustang I and the 40-watt Mustang II are great for practice and jam sessions. An 1/8” headphone jack lets you play loud, even if only for yourself.

USB CONNECTIVITY

Connect Mustang to your computer with free Fender® FUSE™ software. Open up a world of possibilities, including on-screen parameter control, deep editing, additional effects, unlimited preset storage, online preset swapping with the Fender® FUSE™ community, and free Fender artist presets.

Control Panel

Mustang runs from a very simple control interface, which includes gain, volume, treble, bass, master, preset select, modulation select, delay/reverb select, save button, exit button, tap tempo button — all easily navigated.

Amp Modeling

Mustang™ I and II contain 24 highly accurate onboard amp models with tones from vintage Fender® sparkle to outrageous modern metal distortion. Easily connect to your computer to add to the number of amp models, too.

Mustang™ I and II give you 24 individual amp presets arranged in three banks of 8 (i.e., three ’57 Deluxe™ presets, three Brit ’60s presets, etc.). These presets are easily and instantly dialed up using the “preset” knob (or from your footswitch or computer). Turn this knob to scroll through each of the three preset banks, which are indicated on the control panel by LED columns colored amber, green and red.

The red and green banks are for creating your own presets; the amber bank can only be modified using Fender® FUSE™ software.

MUSTANG I  amplifier modeling preset controls
Modulation Effects

Mustang further sculpts your sound with 12 sweeping, swooping and shimmering adjustable modulation effects, including chorus, phaser, flanger, vibratone, tremolo, step filter and octaver. Use your computer to add more effects, too.

MUSTANG™ I & MUSTANG™ II modulation effects control knob
Delay / Reverb Effects

Mustang makes the room resound with 12 easily adjustable delay and reverb effects ranging from subtle to cavernous, including tape delay, stereo/mono delay and room/plate/hall reverb.

Mustang I and II each have 24 effects controlled by two simple selection knobs on the control panel. The first knob (“MOD”) controls 12 modulation effects; the second (“DLY/REV”) controls 12 delay/reverb effect

MUSTANG™ I  Effect Level Controls

The MOD and DLY/REV knobs share the same three selection indicator LEDS. These LEDS are numbered 1, 2, and 3, and they correspond to the three positions within each of the selection ranges, labeled A, B, C and D on each knob (see the Mustang I/II manual for a table listing the effects selection for each knob). Use the LEDs to determine exactly which position the knob is pointing to (using the factory settings of the “MOD” knob, for example, position 1 in the A selection range gives you chorus, position 2 in the A selection range gives you deep chorus, and position 3 in the A selection range gives you flanging).

Adjusting the effects levels on Mustang I and II couldn’t be easier—simply hold down the “EXIT” button while turning the “MOD” or “DLY/REV” knobs. Doing this adjusts “how much” of a particular effect you’ll get, according to your personal preference.

USB Connection

Mustang includes USB connectivity for high-quality, low-latency audio output, and to engage the Fender® FUSE™ software application for PC and Mac. This opens up a world of possibilities, including on-screen parameter control, deep editing, unlimited preset storage, online preset swapping with the Fender® FUSE™ community, and free Fender artist presets.

Tuner

Onboard chromatic tuner puts intonation right on the money quickly and easily.

Onboard Chormatic Tuner

Sleek and modern Fender styling provides a look that’s as desirable as the sound. Mustang has Fender’s classic silver grille cloth, and is covered in tough, great-looking “carbon tweed” black textured vinyl.

Electronics
  • Voltage: 120V
  • Wattage: 20 Watts
  • Inputs: One
  • Auxiliary Input: 1/8” Stereo Input Jack
  • Headphone Jack: 1/8" Headphone Jack
  • Line Out: Speaker Emulated USB Output; 1/8” Headphone Jack Doubles as Speaker Emulated Line Out
  • Channels: One channel (with 24 presets)
  • Power Handling: 20 Watts
  • Controls: Gain, Volume, Treble, Bass, Master, Preset Select, Modulation Select, Delay/Reverb Select, Save Button, Exit Button, Tap Tempo Button
  • Hardware
  • Front Panel: Black Front Panel
Hardware
  • Front Panel: Black Front Panel
  • Grill Cover Cloth: Carbon Tweed Textured Vinyl with Silver Grille Cloth
  • Output Impedance: 8 Ohms
  • Amplifier Length: 7.6" (19.3cm)
  • Amplifier Width: 15.5" (40 cm)
  • Amplifier Height: 14.5" (36.83 cm)
  • Amplifier Weight: 17 lbs (7.7 kg)
  • Speaker: 1-8" Fender® Special Design Speaker

Additional Comments:
24 effects in two categories, easily and instantly selected and adjusted with a twist of only two knobs. 12 modulation effects (chorus, deep chorus, flanger, bias/sine tremolo, optical/vintage tremolo, optical vintage tremolo fast, vibratone slow, vibratone fast, octaver, phaser slow deep, phaser medium, step filter), 12 delay and reverb effects (tape delay 150ms/1 repeat, stereo tape delay 300ms/3 repeats, mono delay 700ms/4 repeats, small room reverb, plate reverb, large hall reverb, Fender ’63 spring reverb, Fender ’65 spring reverb, tape delay room, tape delay large hall, ducking delay small hall, echo filter

Unique Features:
Amp modeling; distortion; 24 onboard presets (unlimited storage with computer); USB connectivity for user programming and audio recording output; auxiliary input for media player; chromatic tuner; Fender® FUSE™ application for deep editing, preset storage, patch swapping and free artist content; additional effects including fuzz, pitch shifter and touch wah, with even more available through Fender FUSE; Ableton® Live Lite 8 Fender Edition studio-quality recording software compatible with Mustang USB recording output; AmpliTube® Fender LE software

More Specification..!!

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Tuesday, January 17, 2012

"What has Happened to 'Discovery' and 'Invention'?" Mario Biagioli, UC Davis.

More downloads, news and resources available at www.ipbio.org and http Managing Knowledge in the Techno-Sciences, 1850-2000 5-8 July 2010, University of Leeds July saw the first international conference to arise from "Owning and Disowning Invention"; an AHRC funded collaboration between the Universities of Leeds and Bristol. The project explores knowledge management during the late nineteenth and early twentieth century, a period in which rapid scientific and technological innovation coincided with major debate on the role of patenting and the coining of the phrase "intellectual property". With the objective of connecting historical accounts with contemporary discussions, the chronological landscape for the conference was expanded to cover the mid-nineteenth century to the present. Graeme Gooday and Greg Radick of the Centre for HPS at the University of Leeds were the organizers and indefatigable hosts, and Devonshire Hall at the University provided an appealingly leafy setting, complete with impressive catering (especially the much needed hearty breakfasts) and an atmosphere that was friendly and vibrant. There was a strongly inter-disciplinary feel to proceedings; aside from the diverse group of historians in attendance, colleagues from law, philosophy, bioethics, business management and many other backgrounds were present. The conference also coincided with a symposium on intellectual property in the biosciences, organised by the White Rose Consortium and IPBio Network ...

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